![]() Printing moved from letterpress to offset as darkrooms were becoming more and more sophisticated. Punk Rock Music Event Flyers characterized the mid-70s graphic design. The unit also had different distortion lenses that made words take on different shapes. This allowed for custom adjustments to the spacing of the characters. The user simply lined up the character they wanted to be printed with a lens, and it was later projected onto photographic paper. The Visual Graphics PhotoTypositor used large negative film strips that contained characters next to each other. Many of the most recognizable 1970s fonts came from Letraset designer Colin Brignall: Aachen Bold, Italia, Octopuss, Superstar, and many more. Letraset introduced the dry transfer technique and could hold more detail. Designers had more freedom to experiment with spacing and scaling. These two techniques allowed for an easier and more economical way to transfer type. New ways of typesetting were introduced, like the Letraset and the Visual Graphics PhotoTypositor. Disco 70s fonts were inspired by iconic neon lights. There was a big boom in 70s fonts for advertising. Hand-drawn retro fonts in the 70s were flowy and freeform. ![]() The hippy, disco, and punk movements were just a few of the trends that defined this iconic decade and made an impact in the visual world.įonts were a big part of this decade as designers were moving from the International Typographic Style that reigned in the 50s and part of the 60s. People wanted to express themselves as extravagantly as possible through music, fashion, and art. The 1970s were filled with many social movements and cultural trends that greatly influenced graphic design. Malicious packages within popular open source repositories have become increasingly common.A Look at Graphic Trends That Define the 70s | Retro Fonts, Text Effects, and More! Keep an eye on your dependency tree, it is important to know what you are using so you can spot problems when they occur.Typo-squatting can inject malicious packages through indirect dependencies, which can be hard to spot.Always be careful when downloading packages, be precise about spelling, and never guess a package name. ![]() It is easy to check your project for either vulnerability, Snyk is free to use and can tell you if your project is compromised.Both malicious libraries have been removed.The python3-dateutil package has only been on PyPI for a couple of days.The number of downloads for the libraries is relatively low, maybe a few hundred people have been compromised.Typo-squatting has been a problem for many package managers, not just PyPI, and is likely to remain a problem.Both malicious packages included all the functionality of the packages they were impersonating, meaning it would be easy to accept the malicious packages as correct.Because the nature of the exploit is not fully understood, its impact on those who have downloaded it is difficult to estimate.The jeilyfish library has been on PyPI for nearly a year.Both packages have been removed from PyPI. The exploit is not currently fully understood, but it appears to steals SSH and GPG keys from infected machines and sends them to a remote server. The python3-dateutil package has the jeilyfish library as a sub dependency. The exploit is part of the jeilyfish package. You can also find more information in our vulnerability database here and here. This post will summarize what is known about the packages, detail what is good and bad about the situation, and share relevant lessons associated with this incident. Typo-squatting occurs when a malicious package is uploaded with a name similar to a common package in an attempt to get users to download the malicious version. These packages, jeIlyfish (a misspelling of the package jellyfish only noticeable when using certain fonts) and python3-dateutil (impersonating the popular dateutil package), were taking advantage of something called “typo-squatting”. Two malicious packages were removed from the Python Package Index ( PyPI) this week.
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